In the last example shown, they move up three degrees. Next, the voices move up two degrees, then back. B.H.: In the following example the A and C (from the C6 chord) are held and the G, E, and A move up one degree of the C diminished sixth scale, then back. Issue 1.0 - The Barry Harris approach to Improvised Lines & Harmony: An Introduction. Example 2-4 Diminished chords, long and short Notice the use of the Gbdim71 chord for F7, to take us back to Bb6. Issue 1.0 - The Barry Harris approach to Improvised Lines & Harmony: An Introduction Example 2-3 Here's an example of how you might apply this idea to a II-V-I situation.To make the most of these lessons, make sure you have completed the earlier syllabuses in the PianoGroove library. Our Advanced Harmony Syllabus introduces a range of sophisticated voicing techniques including block chords, drop 2, Barry Harris Voicings, and diminished harmony.In particular, I was amazed that the majority of bebop could be contained within just three chords: Amazon Rapids Fun stories for kids on the go. The “mover” on the other hand, understands harmonuc chords come from scales and thereby learns to approach chording in a more fluid fashion.
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